Special Editions + Fine Art Photography + Photography Books
SPECIAL EDITIONS
PHOTOGRAPHY BOOKS
Hardcover with foldouts, 9.8 x 13.4 in., 6.74 lb, 296 pages
Stephen Wilkes’s extraordinary panoramas depict famous landmarks from dawn to dusk. He captures thousands of single exposures, editing and blending them into one composition that shows the passage of time. With details highlighting the individual stories, this collection unveils a new way of seeing some of the world’s most iconic locations.
If you were to stand in one spot at an iconic location for 30 hours and simply observe, never closing your eyes, you still wouldn’t be able to take in all the detail and emotion found in a Stephen Wilkes panoramic photograph. Not only does Wilkes shoot over 1,500 exposures from a fixed angle, he also distills this visual information afterward in his studio, painstakingly composing selected frames into a single image.
Day to Night presents 60 epic panoramas created between 2009 and 2022, shot everywhere from Africa’s Serengeti to the Blue Lagoon in Iceland, from the Grand Canyon to Coney Island, from Trafalgar Square to Times Square. Each composition is a labor of love as well as patience. Wilkes waited more than two years to gain permission to photograph Pope Francis celebrating Easter mass in the Vatican, ultimately producing a vivid tableau in which the pontiff appears 10 times.
The book also features extraordinary details—works of art in their own right that highlight the stories contained within each image. A bride makes her way through Central Park; in Tanzania, zebras gather around a near-invisible watering hole during a drought; in Rio de Janeiro, surfers come and go while a man holds a sign reading “No more than two questions per customer.” “It is exactly these small stories, these details, that draw people into the photographs,” says Wilkes. Once discovered, these mini narratives lend each composition a personal, candid feel.
This collection takes us on a seamless trip from dawn to dark across the world’s most iconic locations, unveiling the unique ebb and flow of man-made and natural landmarks like never before.
Hardcover, 9.3 x 13.1 in., 5.13 lb, 272 pages
The best of Harry Benson’s era-defining Beatles portfolio captures them on the road, performing, relaxing, composing and acting in A Hard Day’s Night. From their famous pillow fight in Paris to their first U.S. tour, Benson’s luminous black-and-white photographs show intimate glimpses of George, John, Paul, and Ringo during peak Beatlemania.
In early 1964, photographer Harry Benson received a call from the photo editor of London’s Daily Express, who asked him to cover the Beatles’ trip to Paris. It was the beginning of a career-defining relationship, which would both make Benson’s name and produce some of the most intimate photographs ever taken of the Beatles.
In Paris, Benson captured the Fab Four in the midst of a pillow fight at the George V Hotel, a spontaneous moment which came to epitomize the spirit of the band—Benson himself has called it the best shot of his career. Later that year, he followed the group on the road for their debut U.S. tour, documenting their appearance on The Ed Sullivan Show, their surprising encounter with Cassius Clay, and the hysteria of New York Beatlemania. Benson also photographed George Harrison’s honeymoon in Barbados, documented the Beatles on the set of their debut movie A Hard Day’s Night, and was present on the now infamous 1966 tour when John Lennon said that the Beatles were “more popular than Jesus.”
Previously out-of-print, this re-edition brings back the best of Benson’s luminous black-and-white Beatles portfolio. Complemented by quotes and newspaper clippings from the period, an introduction by the photographer himself adds exciting personal testimony to these iconic images of the greatest band in musical history.
Hardcover with booklet in slipcase, 10.5 x 14.7 in., 13.34 lb, 464 pages
First published in 1999, Helmut Newton's SUMO was the first of TASCHEN's titanic limited editions, towering above anything previously attempted. Twenty years later, we celebrate the legacy of this publishing venture in an XL edition, the result of a project conceived by Helmut Newton and revised by his wife June. Gathering 394 images and a booklet that takes us through the making of the SUMO, it’s a spectacular tribute to the larger-than-life photographer.
Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in—boxed and shrink-wrapped—at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.
Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks—about 317,000 euros.
Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 394 images and a booklet that takes us through the making-of this publishing venture—a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.
Edition# 520/10,000 (from a Sold Out Edition)
Collector's edition of 10,000 numbered copies with a bookstand by Philippe Starck
Edited and revised by June Newton
Hardcover, 14.1 x 19.7 in., 21.56 lb, 464 pages, with bookstand and pedestal, 29.2 in. (height of book on stand)
Created on the occasion of Helmut Newton’s 100th birthday and TASCHEN’s 40th anniversary, we present BABY SUMO, the ultimate collectible! Published in a limited edition of 10,000 numbered copies, it is precisely half the size of the famous 1999 original. BABY SUMO comes with a stainless-steel bookstand designed by Philippe Starck, including a pedestal and a booklet documenting the making of this legendary publication.
The Helmut Newton SUMO was overwhelming in every respect: a 464-page homage to the most influential and controversial photographer of the 20th century, and a book that broke records for weight, dimensions, and resale price.
Helmut Newton (1920–2004) always demonstrated a healthy disdain for easy or predictable solutions. SUMO—a bold and unprecedented publishing venture—was an irresistible project. The idea of a spectacular compendium of images, reproduced to exceptional page size and to state-of-the-art origination and printing standards, emerged from an open, exploratory dialogue between photographer and publisher. With its awe-inspiring weight of around 35 kilos, its unusual concept and its flawless technical production, the book set new standards.
Published in a limited edition of 10,000 signed and numbered copies, the first SUMO sold out soon after release and quickly multiplied its value. As a worldwide publishing sensation, the book took the art monograph genre to an entirely new level and is today found in numerous important collections around the world, including New York’s Museum of Modern Art. Legendary SUMO copy number one, autographed by over 100 of the book’s featured celebrities, also broke the record for the most expensive book of the 20th century, selling at auction in Berlin on April 6, 2000 for 620,000 German Marks.
Created on the occasion of the centenary of Helmut Newton’s birth and TASCHEN’s 40th anniversary, this spectacular new edition edited by June Newton is now available. Shrunk to exactly half the size of the famous 1999 original, the “BABY SUMO” is no less glamorous: With almost 400 breathtaking images, reproduced and printed to the latest standards, it still has all the scope of a private exhibition of photographs. It is likewise published in a limited edition of 10,000 copies and comes with a detailed booklet documenting the making of this major publishing event. Philippe Starck has once again designed the accompanying book stand, this time including a pedestal, as an ideal way to display the volume.
BABY SUMO, the ultimate collectible. For Newton fans and anyone who wants to own a piece of art history. The legend lives on!
Hardcover, 11.02 in x 12.99 in, 588 Pages
This photography book showcases the most magnificent wildlife photography from Kenya, Namibia, Tanzania, Batswana, Rwanda, and Uganda taken over the cruse of six years traveling to Africa.
Among the Living, Where you Belong is Guadalupe’s personal need to share with the world the beauty in what it is priceless.
The silent lessons are endless; teachings on unity, boundaries, family, respect and love and respecting the natural cycles of life.
‘This humble book is a labor of love, it is what keeps me alive, experiencing wildlife in the intimacy of their everyday journey is a gift I will forever be grateful for’. – Guadalupe Laiz
Among the Living honors every animal ever hurt, killed, and affronted for the benefit of humans with the hopes that one day we finally will learn to be as humble and kind as they are.
Hardcover, 9.45 x 12.99 x 0.98 inches, 5.55 lbs, 251 pages
From an elephant resting with his master to a dog led through the rubbles of Kabul; these images by Steve McCurry tell a thousand stories, each a touching tribute to the creatures who share our planet. The photographer presents his favorite shots of animals in this collection ranging from Asia to South America, the United States to Europe.
In Animals, we discover a different side to the famed photographer who skillfully explores animals’ complex relationship with humans and the environment.
Tenderness abounds, particularly in scenes of unkempt street dogs sleeping contentedly next to a human. But there’s also a kind of essential solitude, with animals belonging to no one and simply wandering through life with only their survival instincts to guide them. We witness camels caught in the crossfire during the first Gulf War; a shepherd from Northern Pakistan tenderly feeding his goats; Beverly Hills designer dogs; race horses on a Hong Kong rooftop; an elephant in Thailand, and more images selected by McCurry from his vast archives.
Through McCurry’s lens, we discover an appreciation for each creature’s beauty and silent dignity. This kaleidoscopic collection is at once a beautiful travelogue and a touching tribute to the creatures who share our planet.
Hardcover, 8 1/2 x 11 in, 104 pages
Released in 2020, Published by G Editions
Foreword by Jay McInerney
The idyllic Hamptons beaches provides a sense of spiritual connection when the wind and water spray kisses of salt and sand on the sunbathers. Von Hohenberg’s black-and-white photographs of the Hampton beaches give the impression of squinting against the glaring summer sun—bleached out details blur and faint gestures carve out the presence of figures against the vast oceanic expanse. Allowing himself to be “blinded by the light” von Hohenberg has found harmony on the beaches of the Hamptons, a place that cleanses, renews, and soothes.
FINE ART PHOTOGRAPHY
Norman Parkinson
Golfing at Le Touquet, 1939
gelatin silver print
20h x 16w in
Ed. of 21
Posthumous print, estate-stamped and numbered verso
Standard framing includes a black painted wood frame with white matting and UV plexiglass.
Norman Parkinson
Adele Collins, Vogue, 1959
c-type print
20h x 16w in
Ed. of 21
Posthumous print, estate-stamped and numbered verso
Standard framing includes a black painted wood frame with white matting and UV plexiglass.
Norman Parkinson
A Streetcar Named Desire, 1971
gelatin silver print
20h x 16w in
Ed. of 21
Posthumous print, estate-stamped and numbered verso
Standard framing includes a black painted wood frame with white matting and UV plexiglass.
Lawrence Fried
Audrey Hepburn, Times Square, 1951
gelatin silver print
20h x 24w in
Ed. of 25
Posthumous print, estate-stamped and numbered verso
Standard framing includes a black painted wood frame with white matting and UV plexiglass.
Al Satterwhite
Paul Newman (Full Length), 1977
archival pigment print
14h x 11w in
Ed. of 25
Standard framing includes a black painted wood frame with white matting and UV plexiglass.
Al Satterwhite
Hunter S. Thompson, Cozumel, Mexico, 1974
archival pigment print
11h x 14w in
Ed. of 25
Standard framing includes a black painted wood frame with white matting and UV plexiglass.
Al Satterwhite
Gloria Steinem, Palm Beach, FL, 1971
archival pigment print
14h x 11w in
Ed. of 25
Standard framing includes a black painted wood frame with white matting and UV plexiglass.
Christophe von Hohenberg
Untitled Color Series I, 2024
archival pigment print
18h x 19w in
Ed. of 6
Standard framing includes a white painted wood frame with white matting and UV plexiglass.
Christophe von Hohenberg
Untitled Color Series II, 2024
archival pigment print
18h x 19w in
Ed. of 6
Standard framing includes a white painted wood frame with white matting and UV plexiglass.
Christophe von Hohenberg
Untitled Color Series IX, 2024
archival pigment print
18h x 19w in
Ed. of 6
Standard framing includes a white painted wood frame with white matting and UV plexiglass.
Phoebe Fitz
Introspection, 2023
archival pigment print
17h x 17w in
Ed. of 25
Standard framing includes a black painted wood frame with UV plexiglass.
Phoebe Fitz
Shape of Water, 2018
archival pigment print
17h x 17w in
Ed. of 15
Standard framing includes a black painted wood frame with UV plexiglass.
Phoebe Fitz
Slowly Then All of a Sudden, 2024
archival pigment print
18h x 24w in
Ed. of 15
Standard framing includes a black painted wood frame with UV plexiglass.
Phoebe Fitz
Poolside, 2019
archival pigment print
17h x 17w in
Ed. of 15
Standard framing includes a black painted wood frame with UV plexiglass.
Phoebe Fitz
Reach, 2024
archival pigment print
17h x 17w in
Ed. of 10
Standard framing includes a black painted wood frame with UV plexiglass.
Phoebe Fitz
In Dreams, 2021
archival pigment print
16h x 24w in
Ed. of 15
Standard framing includes a black painted wood frame with UV plexiglass.
Dan Oberlander
Happy Space (Color), 2024
archival pigment print
16h x 12w in
Ed. of 175
Standard framing includes a black painted wood frame with white matting and UV plexiglass.
Dan Oberlander
Happy Space (Color), 2024
archival pigment print
16h x 12w in
Ed. of 175
Standard framing includes a black painted wood frame with white matting and UV plexiglass.
Xan Padrón
Time Lapse, Downtown Seattle, 2019
archival pigment print
36h x 24w in
Ed. of 25
Standard framing includes a white painted wood frame with UV plexiglass.
Xan Padrón
Time Lapse, South Ocean Boulevard, Palm Beach, FL, 2023
archival pigment print
36h x 24w in
Ed. of 25
Standard framing includes a white painted wood frame with UV plexiglass.
Xan Padrón
Time Lapse, West Palm Beach, FL, 2018
archival pigment print
36h x 24w in
Ed. of 25
Standard framing includes a white painted wood frame with UV plexiglass.
Xan Padrón
Time Lapse, El Raval, Barcelona, 2018
archival pigment print
36h x 24w in
Ed. of 25
Standard framing includes a white painted wood frame with UV plexiglass.
Nathan Coe
Sankaty Summer, 2020
archival pigment print
20h x 15w in
AP
Standard framing includes a white painted wood frame with UV plexiglass.
Nathan Coe
Quick Change, 2016
archival pigment print
15h x 20w in
AP
Standard framing includes a white painted wood frame with UV plexiglass.
Nathan Coe
Sky Dive, 2024
archival pigment print
15h x 20w in
AP
Standard framing includes a white painted wood frame with UV plexiglass.
Nathan Coe
Tracks, 2016
archival pigment print
8h x 10w in
Ed. of 25
Prints are face-mounted to acrylic, ready to hang.
Nathan Coe
Endeavor, 2015
archival pigment print
8h x 10w in
Ed. of 25
Prints are face-mounted to acrylic, ready to hang.
Nathan Coe
Steps, 2019
archival pigment print
8h x 10w in
Ed. of 25
Prints are face-mounted to acrylic, ready to hang.
Joyce Tenneson Sunflowers in Motion, 2021 archival pigment print 22h x 17w in AP
Standard framing includes a white painted wood frame with UV plexiglass.
Joyce Tenneson
Dreamscape, 2021
archival pigment print
22h x 17w in
AP
Standard framing includes a white painted wood frame with UV plexiglass.
Vincent Ricardel
No Tell Motel, 2026
dye sublimation print
22.5h x 30w in, Ed. of 10
30h × 40w in, Ed. of 10
37.5h × 50w in, Ed. of 10
45h x 60w in, Ed. of 10
Includes black float frame, ready to hang.
Vincent Ricardel’s new series IT’S A SIGN explores the allure of mid-20th century American commercial signage — the bold, luminous beacons that dotted the postwar highways from the late 1950s through the 1980s. In an era of booming car culture, economic optimism, and the rise of roadside economy, signs for gas stations, motels, diners, and fast food chains transformed mundane advertising into vibrant public art.